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Yo, check it out. So, like, capturing those lighter hair shades in a portrait can be a real challenge, man. No matter how hard you try, a dark line just ain’t gonna do justice to a light strand of hair, ya know?

Now, listen up, I’m gonna break it down for you with my 5-Pencil Method. There’s a few steps you gotta follow to bring that realistic blond hair to life. And guess what? We can use the same five pencils we used for dark brown hair. That’s right, my friends.

Drawing blond hair is all about adding value and dimension. We gotta create some depth, man. Leave some negative space, like, to represent those lighter strands of hair. It’s all about the details, my dudes.

First things first, create a foundation, okay? So even for blond hair, I stick with my trusty 2B pencil. We’re gonna use that extra lead to spread into the lighter areas with our brush. But hey, ’cause it’s darker, you gotta ease up on the pressure, man. We wanna be able to erase if needed, ya feel me?

Now, if you’re just starting out with the 5-Pencil Method for hair, here’s what I do. Lay down that initial foundation with the 2B, and then grab your brush made of camel hair. Use it to blend that extra lead on the paper, creating that solid base, man.

Alright, next up, we gotta follow the three rules of light. This is how your brain sees it, man. Lighter things pop out, darker things chill in the back, and if it’s all the same value, it’s just flat. So here’s the deal, we’re gonna create a ‘negative’ effect, you dig? The light parts gonna represent those beautiful hair strands, while the darker parts gonna give us that depth and those shady areas.

Trust your mind, man. It’s gonna work wonders when we give it the right ingredients to do its thing.

Create a negative, baby. Alright, now that your hair’s coming along nicely, keeping that texture with your sharp pencil and leaving some spaces instead of smooth gradations, it’s time for the next step.

Here’s the deal, man. You can’t properly move forward without a clean line or edge. So, pick two parallel lines, man, and fill in that space between ’em with some value. That’s gonna create those darker recessed areas, and the light ones gonna be left to give us that blond hair effect.

We’re working with contrast here, man. Combining it with the clean edges of our darker values to really make that dimension pop. Throw in some curves and contours, and bam! You got the structure and ingredients for that lighter hair, baby. It’s like a whole negative vibe going on.

Now, keep in mind, we’re not talking about reality here. We’re talking about how those dark pencil lines would normally look on a piece of paper. Perception is key, my friends. We want our minds to see what it expects to see, even if it means playing with some illusions, man.

Alright, dudes, have a blast creating those killer portraits! Peace out!

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Ihab Salloum